Categories
Belly Dance Costuming DIY Design General

Costume Design Approach: Line and Cluster

There are many strategies for designing belly dance costume bra and belt sets.  One design approach I use often I like to call the “Line and Cluster.”  In this technique, I begin with a flexible, but linear design element, such as rope, narrow ribbon, chain, or, as in this example, rhinestone chain.  Choose something long and thin with some ability to bend and twist, curving to create undulations in the line.  While my demo piece is pretty high glam with bright fabric and glittering AB rhinestones, you can choose to take this approach in a more fusion or tribal way using chain for the line, and coins and metal fillets for the clusters.

Prepare your Belly Dance Bra

Pink Rhinestone Bra prepped for slip stitching the dart legs. Studio Davina - www.davina.us

We’re starting at the mid-way point in the construction of this lovely pink costume that I’m calling “Stoned Pinky.”  I’m working with the same client who commissioned the “Lavender Garden” bedlah set I designed in the spring.  For that costume, we did a “Stash Attack” and pulled items from storage, recycled from previous projects, and found materials stored in my cabinet of curiosities.  to create a lovely floral-themed belly dance bra and belt.  I posted a 4 part series of blog posts about that project which begins here.

If you would like more information about how I prepared and covered these bra cups, directions and step-by-step photos are in my book Embellished Bras.

Design Approach: Line and Cluster

In this method, you’re essentially “drawing” a series of undulating lines across the surface of your costume. There are three design groups that I find look lovely on a belly dance costume bra and belt set.

Uniformly Shaped Embellishments: Filling the spaces between the lines with one uniformly shaped design motif is perhaps the quickest and easiest from a design perspective.  Remember, though the size remains the same, the color and material can vary.  For example,  you could use rainbow hued rhinestones, or you could use the same size stones of various composition like pearly, stone, and metal.

Repetitive Motifs: One way to tie a full head to toe ensemble together is to use a repeating motif on each of the garments.  You can pull a design from the fabric of your skirt, or your bra and belt, or just pick a motif at

Random Sized Clusters: In this style, I use a variety of different shaped and sized design motifs to fill the area between the lines.  I often will stick to one color, but change the shapes and finishes to create a more dynamic that contrasts with the lines.

Line drawing of three styles of the "Line and Cluster" design approach. | Dawn Devine www.davina.us

First line of the "Line and Cluster" design approach on a Pink Belly Dance Bra. | Studio Davina www.davina.us

Draw your Main Style Line

The most important part of this project is laying in your first design line.  You want to create your ideal amount of “Wiggle.”  If you are new to this method, you can experiment with thread tracing until you find the line you like, and then apply your linear design element.  In this example, I’m using rhinestone on chain.

I like using rhinestone chain for its ability to gently curve, allowing me to draw a sparkly line across the surface of the bra cup.  I pin the design onto the first cup and get it perfectly to my taste. Then using measurements, I recreate a mirror image of the design on the opposite cup.

If you would like to work along with this project, this is the chain size I used for the first and second lines of the design.  I used a smaller 2mm size rhinestone chain for the third and fourth lines.

Rhinestones spread out and ready to sew on using the "Line and Cluster" design approach. | Studio Davina www.davina.us

Choose your cluster style

For this costume, I’ve chosen to use an uneven cluster that I’m going to build up in an organic way. I begin the clusters by working from the largest rhinestones to the smallest.  Think of it like a jar.  If you want to put large rocks, medium pebbles, and sand into the jar, it’s best to put the rocks in first, then add the pebbles and finish with sand. If you put the sand in first, it’s hard to get the rocks and pebbles to fit in.

For this project, I’m using four of these AB rhinestones assortments,  as well as a bag of additional 10mm AB Rhinestones,   I had some fuchsia stones in my stash, but they are 7mm similar to these.

To see what I have to work with, I spread out all the materials on a piece of fuzzy fleece cloth. This will prevent beads, sequins, and stones from rolling away. Sometimes, if I’m using particularly bouncing or rolling prone materials, I will lay my cloth in a box-lid or on a cookie sheet, or tray to prevent the supplies from wandering off.

Sew on the Rhinestones

For the bra, I really wanted to stay as symmetrical as possible, but still loose and free.  Instead of mapping out the whole project, I just worked free-form, but in a symmetrical pattern.  I would stitch down one big stone on the left, then repeat that placement on the right.  I would repeat this process working in clusters of 2-5 stones, sewing them down on the left and then repeating the same cluster on the right, mirroring the placement and pattern.  It’s not an exact match, but with this much bling, is an exact match essential?   If you are looking for tighter, more symmetrical process, I recommend using chalk, or a fabric pen that will disappear (test first on a scrap) and then place your stones in the pattern.  Since my customer has a fixed budget, flying freeform saves time – which in turn saves her money.

Pink Rhinestone bra in progress, demonstrating the "Line and Cluster" design approach. | Studio Davina www.davina.us

Repeat Cluster and Lines

Once the look is established with the first design line, and the clusters have been applied around it, I added the second design line.  Then I repeated the process, laying down the biggest stones first, filling in with clusters around the larger stones.  When the third line was added I pinned the bra cups to my dress form and stepped back to take a look at the bra.  It’s good to get an “audience view” of a costume.  Because Shalimar likes to dance in restaurants with low lighting and a close audience, I dimmed my lights and stood back 8 feet to see the costume in progress.Pink Rhinestone bra made using the "Line and Cluster" design approach. | Studio Davina - www.davina.us

One of the things I like best about the line and cluster approach to design is that it’s very versatile.  It can be applied vertically, horizontally, or as I did in this bra, following the angled line of the upper cup.  At this stage, I need to finish the design all the way to the bottom of the cups and then attach the bands and straps to complete this garment.

To the SEWING TABLE,
Dawn Devine ~ Davina
Aug. 19, 2017

Categories
Costuming DIY General

Studio Davina – Cutting Arsenal pt. 1

Studio Davina: Cutting Arsenal - scissors & shears

Studio Davina
Sewing Tool Kit, Pt. 1
Cutting Arsenal

In the next few posts, I’m going to take you through some of the tools I simply cannot do without!  I’m starting with cutting tools, as my students often ask, “what kind of scissors should I buy?”  Below is my list of my favorites.

Scissors vs. Shears

The difference between scissors and shears is the length of the blade.  Scissors is a generic term that relates to the style of cutting tool, with two blades, that are connected by a fulcrum point.  Shears are a subset of scissors and generally have blades that are 7″ or longer. In the image to the right, the three pair of shears are at the top, and my three favorite pairs of scissors are at the bottom.  There is also a lone pair of snips, third from the bottom.

Favorite Scissors

For ease of discussion, I’m going to start at the bottom with my smallest tools and work upwards toward my largest.  Although I do own a variety of brands, I find that I gravitate towards Gingher as a matter of personal taste. Gingher is a German brand of scissors, shears, snips and all manner of cutting tools. I started using Gingher shears when I was in fashion school and I can attest to their longevity.  They have survived the making of thousands of garments and and as they wear out, I’m replacing them with the same styles.

Decorative Embroidery Scissors  (Image: Bottom)
One of the tools that I find myself picking up when I’m doing a lot of bead embroidery, or disassembling costumes are a pair of gold-handled “stork” shaped embroidery scissors.  These scissors can get into tiny places that my regular scissors just can’t reach.  A length of ribbon through both handles allows me to put these around my neck to have at hand immediately no matter which work-station I’m using. I buy affordable versions of these scissors because I have been known to give them away to folks who admire them at costuming events. http://amzn.to/2wmtrBD

5-inch Craft Scissors (Image: Fourth from Bottom)
When I purchased these scissors, they went by the name of “Tailor’s Points.” These sturdy, handy pointed scissors are my favorite for precision pattern cutting, trimming in small places and general clean-up work, especially when working on tailored garments.  http://amzn.to/2vcxB0u

6” Duck Billed Applique Scissors (Image: Second from the Bottom)
These are the best scissors for trimming seam allowances and when making beaded appliqué on lace and net. Although these are not my most used scissors, I do use them often! http://amzn.to/2hPoEFZ

Thread Cutting Snips

4.5 Inch knife edge thread nippers (Image: Third from Bottom)
One of the ways that I can keep my sewing productivity high is to use a pair of thread snips.  Although they may seem unessential, I find a good pair of snips will speed up the time spent machine sewing.  I can pick them up without having to wind my fingers through any holes.  Just squeeze to snip your thread.  If you think about how many times you pick up and set down a pair of scissors, you will see the value of a pair of snips. http://amzn.to/2vcFtiC

Fabric Cutting Shears

8-Inch – Knife Edge Dressmaker’s Shears (Image: Top Center)
The workhorse in my collection, this is my second pair in a 30-year costuming career. I find I use these on the daily for cutting fabric and patterns.  Useful, dependable, with great longevity. http://amzn.to/2wmVam0

10-inch – Bent Handled Trimmers (Image: Top Right)
When I need something big and beefy for cutting out thick brocades, upholstery fabric, and heavy weight buckram, these are the shears I reach for. http://amzn.to/2vf9mgo

Kai 8” Dressmaking Shears (Image: Top Left)
Lightweight, yet super-sharp from a Japanese company that also makes high-grade kitchen utensils.  When I saw that the manufacturer of my favorite Santoku knife also made sewing shears, I had to have a pair. Sewing shears – http://amzn.to/2fn5giF  Santuko knife – http://amzn.to/2uzmye7

Tips for Building Your Cutting Arsenal

But you may ask, “Where do I begin?”  And I really think a seamstress could get by with one pair of 7″ – 8″ bent handled fabric shears.  They are useful for cut fabric, trimming garments, and clipping threads.  You might find these shears a bit unwieldy in tight locations, but you can get the job done.  When you are ready to buy a second pair, pick a good quality small pair of craft or embroidery scissors.

Tools will be with you through the construction of many garments, so invest in the best quality you can afford. If you think you might like a particular style of scissors or shears, pick up an affordable pair and try it out.  If it becomes an essential tool in your kit, then upgrade to better quality.

If you got all the way to the bottom of this list, I want to thank you!
Best of luck putting together and refining your own sewing kit.
Dawn Devine ~ Davina
Aug. 10, 2017

Categories
General Publications

Amabella Magazine V0 is Ready to Read!

It is my supreme pleasure to introduce my latest publishing project, Amabella Magazine.  I’m so excited to share our introductory issue!  This is a free digital magazine aimed for belly dancers at every stage in their journey. Amabella means “beautiful woman” in Latin, and the mission of this publication is to help you achieve your goals in the dance arts.

We’ve been working all spring to put together this first issue. Our magazine hit the digital stands on August first, and I couldn’t be more proud of our achievement.

I’ve always been a huge fan of magazines, especially on my favorite topic, belly dance. Over the many years that I’ve been involved in the belly dance world, I’ve subscribed to more than a dozen different publications.  I’ve written for many and have even been featured on the cover of a few!  As the costs have risen, and subscribers dwindled, many magazines have, sadly, gone out of print.  So, I put a team together and we stepped into the breach to create a free digital magazine.

Read Amabella Magazine

OurEditorial Point of View

The core of the Amabella editorial team are the ladies I had the pleasure of working with on the book, “Becoming a Belly Dancer: From Student to Stage.”   International belly dance instructor Sara Shrapnell, the author of “Teaching Belly Dance” and faculty member of the Belly Dance Business Academy,  joined me in brain storming our editorial point of view.  Because of the nature of the internet, we decided that all the content in Amabella Magazine will be as evergreen as possible!  What this means, is that articles and ads will not focus on events.  Rather, the content will be focused on concepts, products, and technique.

Photographer and belly dance life styler Alisha Westerfeld, who I’ve worked with on many projects, suggested we include gallery space for dancers to share their art.  Because Amabella is a digital magazine, when we include an image of a dancer, we can directly link to their website, blog, or other social media destinations.  This is a great benefit for our writers, artists, dancers, and advertisers.  And since Amabella Magazine will be located on the Issuu website for the duration, there is the potential for tremendous reach.

Learn more about our beautiful cover girl Basinah on her website.

Amabella Magazine Website - http://www.amabellamagazine.com

Amabella Magazine Website

There is a truism in the world today: websites are never finished!  We’re spending the next three months building up the Amabella Magazine website. Our new site will include our magazines, blog posts by editors and contributors, and information on how to work with us at Amabella.  At the moment this blog post goes live, it’s pretty bare bones.  But in the future, it will have more details about future publications, more interesting and informative blog posts, and an image gallery to flip through. There is much more to come in the fullness of time!

Subscribe to Amabella

Because we’re free and digital, there are three ways to subscribe.

Sign Up for our Mailing List: The first is to visit the Amabella Magazine website and sign-up for the newsletter.  Our newsletter is our primary method for us to reach out and let you know when new publications will be available.

Use the Issuu Website:  The second method is to sign up for an account on the Issuu.com website and create a reading list.  As magazines on your list are released, the site will notify you via email.  If you already use the Issuu website, be sure to add our magazine to your favorite reading stack!  Issuu Website

Join our Facebook Group: The final way to find out about magazine releases and blog post -uploads.  This is a great way to join in the conversation, contribute ideas, or ask questions about our content.  Have a quick question?  This is the place!

Amabella Magazine - Digital Lifestyle Magazine on Issuu - https://issuu.com/ibexapress/docs/amabella-v0-summer2017If you’ve made it to the end of this blog post – thank you so much for your time and supporting my projects!   I hope that you will read and enjoy Amabella Magazine today, and in future issues.

Moving forward, we are releasing issues three times.  We will be collecting content through November 1, 2017, and releasing our next issue, Amabeall V1 the first week of December.

 

I hope you enjoy Amabella Magazine!
Dawn Devine ~ Davina
August 4, 2017

Categories
General Makeup and Appearance

Five tips: Belly Dance Makeup for Photography

Hello Gang!

Belly dancers at every level strive to document their journey through dance. Amateurs can get by with selfies, phone snap shots, and hand-held video.  However, if you want to up your dance game and how you’re perceived by the dance community, invest in a photo shoot with a good photographer.  High-quality images are a necessity for business cards, publicity images, social media, and websites.  Over the last four years, I have participated in more than 100 photo shoots.  I’ve worked with professional photographers and talented amateurs, and have taken many images myself. When I’m directing or styling, I find myself giving dancer/models the same few pieces of advice over and over.  When it comes to makeup, here are my top tips for getting the best results at your next photo shoot.

1 – Take Care of Your Skin

In the weeks before your photo shoot, take extra good care of your skin.  Invest in masks, scrubs, peels, or any other treatment that soothes and satisfies your skin’s needs.  If you have a special super-hydrating face mask or expensive moisturizer that you save for special occasions, this is the time to pull those items out and use them.

2 – Talk to your Photographer

When you are planning your photo shoot, be sure to talk to your photographer about the kinds of images that you are hoping to achieve.  As you plan and practice, you will want to keep in mind what type of lighting your photographer will be using. If you know, then you can choose the appropriate cosmetics for the situation.  At right, dancer and curve model Nicole Simone arrived at a photo shoot with a base-face, prepared for the artificial 5000k lights in my studio.

3 – Plan your Makeup Look(s)

Once you know how much time you have with your photographer, select your wardrobe.  Consider the colors that will coordinate and complement both your costume(s) and your features.  I like to move from biggest choices to the smallest. Start from a dance gown or bedlah set and skirt, and then choose your prop(s) and hair style(s).  Next, plan your jewelry and accessories selections. Once you’ve taken care of all that, it’s time to pick eye shadow, lip and cheek colors.

4 – Practice your Makeup Techniques

Now that you’ve selected your wardrobe and have planned your makeup looks, now is the time to practice. If you have three different looks planned, practice your base look first.  Once you have it perfected, add more colors to morph it into your second look and so on.  Take selfies of each of your finished looks for reference on the day of your photo shoot.  I also recommend laying out all the makeup products, tools, and supplies that you will need on the day of the shoot. Snap top-down flat-lay style photograph to use as a reference to help remember your product choices.

It’s especially important to know how much time you will need between looks for changing out of a costume, into the next one, and styling your makeup hair.  As you practice, time yourself.  Practicing will give you a much more precise time estimation so the photographer and any crew won’t be standing around waiting.

5 – Pack your kit with everything you will need

Like camping and traveling,  the rule of thumb is to pack only what you need and will use. Resist the urge to take everything along.  Make your makeup kit choices ahead of time and reduce your stress between looks. Three things that I recommend dancers try to keep their look in tip-top condition during long photo sessions include:

Hydration Spray

Without a doubt, this is my favorite tool in my photo-shoot styling kit.  A fine mist of water with a hint of glycerine in it will help set powders that may appear a little too powdery under bright photo lights.  It’s also a nice pick-me-up, like a spa in a bottle experience. It is super refreshing to the model who’s been under hot lights.   I make my own, but if you are looking for a nice product to buy, check out this rosewater & glycerine spray.  (Link Here)

Blotting Paper

Photo lights range from warm to smoking hot.  For dancers who are exerting themselves, sweat is a very real concern.  Pausing to freshen up with a quick mop-up with a piece of blotting paper will take down the sheen of perspiration.  Blotting paper can also help refresh product by adding a fresh light dusting of powder to the surface of the skin. (Link Here)

Mattifying Balm

The latest addition to my touch-up kit is a mattifying balm. This product category came onto the makeup scene a few years back and is still fairly new. It is a silicone primer-like product in a pan or stick format.  If your makeup is settling into fine lines and wrinkles, a touch up with a mattifying balm with smooth the problems out.  Just remember to press, not rub, so you don’t accidentally move your makeup. (Link Here)

Of course, there are thousands of other tips and tricks for preparing for a photo shoot.  If you are inspired and want more information on the topic, I recomend these two books:

Lindsay Adler’s, “The Photographer’s Guide to Posing: Techniques to Flatter Everyone” is a great guide to posing. However, she also talks about makeup, wardrobe, lighting and of course, posing. It’s written for photographers, but it’s a good read for models and stylists too.  (Link to Amazon)

I also recommend the latest title from Dita Von Teese, “Your Beauty Mark: The Ultimate Guide to Eccentric Glamour.”  Dita has included everything from posing techniques to glamor makeup, all from a show-girl perspective.  It’s filled with images of her and her associates, so if you are a Dita fan, this book is essential reading! (Link to Amazon)

Good Luck with Your Next Photos!
Dawn Devine ~ Davina
August 4, 2017

 

Categories
Assiut/Assuit Belly Dance Costuming DIY General

Becoming A Belly Dancer: Kickstarter Premium Assiut Bras

Hello Gang!

Last fall, the team I worked with to produce our epic book, “Becoming a Belly Dancer: From Student to Stage,” hosted a super-successful Kickstarter campaign to help us take the project from the document stage to the finished product.  We were thrilled with the outpouring of support from our community of friends, students, and fans.  Our team put together a selection of treats for various different levels from book bundles, to assiut hair ornaments, book bags to custom costumes.

Two Assiut Belly Dance Bras

Our “Top Tier” premium included a custom designed, made-to-measure assiut bra.  I had a gorgeous scrap of assiut that would make four spectacular belly dance bras.  When our month-long campaign closed, we had two dancers sponsor us at the top tier!

Poppy Maya Designed a Glam Assiut Bra

Poppy Maya, our cover girl, is a professional costume maker, so we decided to each do one of the bras.  As it turned out, we had one “Glam” style bra and one “ATS-Tribal” style bra.  I have a huge stash of tribal jewelry parts and pieces, so I took on the design and construction of the tribal style bra.  Poppy made this gorgeous geometric assiut bra for our very happy dancer.  Look at how lovely that modern assiut bra looks paired with faux assiut leggings designed by Melodia.

Tribal Assiut Bra

My tribal dancer, Inara from Oxnard, California sent me a simple design brief.  She wanted beautiful assiut bra, with metal and coin embellishments. Fantastic!  That’s exactly the kind of bra that I LOVE to make!  After a quick inventory of my assiut pieces, I did a couple of rough sketches.  Here is a quick snapshot of my rough drawing. I choose to add a lot of coins via a pair of removable coin and chain drapes so she would have loads of flexibility in her look.

To maximize the metal of the assiut, and without covering it with loads of coins, I decided to divide each cup with a verticle row of shield-shaped metal embellishments. While I know she loves the coins, I really wanted the jewelry components to frame the assiut.

 

Belly Dancer Inara wears a custom assiut bra by Studio Davina - www.davina.us

 

It took us a few months to arrange a photo shoot with my favorite photographer, Alisha Westerfeld, but when we finally were all together in the same room, the results are lovely.  Above, you can see the details of the assiut.  Below, we went for a totally different dark fusion look.

I’m very grateful for these two ladies who helped us take our dreams to the next level by supporting our Kickstarter campaign.  I’m so proud and happy of these two designs!

Happy Costuming and Delicious 
Dawn Devine ~ Davina
July 21, 2017

 

Belly Dancer Inara wears a custom assiut bra by Studio Davina paired with a skirt and head by Melodia | www.davina.us